At the age of 91 she passed away in 2008 leaving behind her a legacy in Spanish dance that shall live on for possibly the next 100-years or more! But unless you happen to be involved in the world of Spanish dance or have experienced the delights for yourself in major theatres of Madrid, Barcelona or Andalusia, then chances are good that you’ve never heard of her.
When she was only two years old her family emigrated to Paris. At age nine she joined the Théâtre du Chatelet ballet school where as a teenager she became the prima ballerina and danced with the company throughout France and Switzerland. In 1936, at the age of just 19 she composed her first choreography for ‘El Amor Brujo’ before retuning to Spain in 1940 where three years later she debuted in Teatro Español de Madrid. Fast forwarding to 1955 she set up her own dance company, Mariemma Ballet de España and she gave several international tours, which included much of Europe and North and South America.
The link with Torrevieja is a strong one as former dancer, choreographer and teacher Eva Tejedor, one of her prodigies, spent many years training with Mariemma, finishing her studies with first honours, danced all over the world and eventually took up a post in Valladolid, as head teacher of her school of dance. Nothing too special about that except that perhaps the most remarkable facet of Mariemma is because of her work as a dance teacher and not as dancer.
She gave her first lessons in 1960 and in 1969 became head of the dance department of the Real Conservatorio de Arte Dramático y Danza de Madrid (Royal Conservatory of Drama and Dance in Madrid ). Under her influence she helped to develop the style of Classical Spanish Ballet, a mixture of the four categories of Spanish dance, bolero, folkloric, flamenco and stylized dance, which coupled with classic ballet has come to be recognised as Ballet Espanol.
In 1970 she starred in a program on TVE, ‘Encuentros con la música’ (Encounters with music), explaining these theories on Spanish dance, which to date is the only major programming to breach the subject. In the 1980's she founded her own dance academies in Madrid and Valladolid and in her 70’s she gathered together all her knowledge in a book ‘Mariemma, mis caminos a través de la danza’ (Mariemma, my ways through dance), possibly the definitive book about Spanish Dance which helped form the studies at the Royal Conservatory, laying the foundations for the regularization of the educational system of Spanish dance in Spain.
Before moving to Miami and then Torrevieja, Eva Tejedor worked not only as her head teacher in Valladolid for seven years but also as advisor on modern dance styles and the new athleticism of today’s dancers. The documentary about the life of Mariemma is directed by Daniel G. Cabrero and titled ‘Mis caminos a través de la danza.’. He is presently in discussions with TVE and major film festivals regarding broadcasting the film, which may also become the basis for a Biopic film about her life.
The only museum in Spain that is dedicated to dance is the Museo Mariemma, located in her hometown of Iscar, a thirty-minute drive from Valladolid. Eva Tejedor is looking forward to returning to the world of dance and hoping to spread her knowledge to a new generation of dancers that might not have heard of Mariemma until today. Remember the name, as although not a household name as yet, if the likes of Penelope Cruz were to take up the mantle for a Hollywood movie about her, remember that you read about it here first and that name again: Mariemma.






